https://www.anthonyprothero.co.uk/memories daily 0.75 2026-01-12 https://static1.squarespace.com/static/592c8fda37c58112b31fb067/t/65e1d21e4b06fa0c5612e26b/1536240554559/ Memories? https://static1.squarespace.com/static/592c8fda37c58112b31fb067/5b912b5bf950b77166c899ae/5b912baa8985839691496724/1536240554559/ Memories? https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1536243657626-OHKPW02IBEU7K634A17T/memories_final_thumbnail.jpg Memories? Memories? (2018) Newspaper Installation https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1536243883485-ZVPDSWRVX8GFD5ZLAW2W/memories_final_thumbnail.jpg Memories? https://www.anthonyprothero.co.uk/ipseity daily 0.75 2026-01-12 https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476378641-KF1A6JQX3SD05NDLL38Q/2E9A0111-1_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476377037-GB2QE2VUDPE83XD0SP0Q/2E9A0105-1_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity Silverware I https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476378641-KF1A6JQX3SD05NDLL38Q/2E9A0111-1_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1676475173115-RLE7DZ1L8A2Q47TOB0SB/Chicken-mayonnaise_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476377035-A6A9Z4NDHG9EHSPFOEST/2E9A0103-1_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1708706220565-K0VXTE44XFJ92VQKQW56/Screenshot+2024-02-23+at+16.33.31.png Ipseity https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1676475468805-RF9Y9QYPPL59NTDAC836/BW-Family_vinyl_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476379523-CHRUJIU34O67E7G6DT8R/2E9A0114-1_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1676475416328-D4Z495OXPJC5BZRWI4JX/Father-John_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476379845-BG5VBRTF6E7M40GTP9BE/2E9A0127_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476380240-I6AEOGNJN0MTZR58GAEZ/2E9A0139_353fe568217a4ecd8f2727f818d6534e.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1513170023677-ZCGMQHRAU1IVBF8NM8SG/test1304+1.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1513170079327-4WTY49ABU6EIJW8YJ9LC/test1309+1.jpg Ipseity IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations. https://www.anthonyprothero.co.uk/notes-of-nostalgia daily 0.75 2026-01-12 https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476755766-JOZLINTIPOXYFQPZTEDQ/jpeg005_353fe568217a4ecd8f2727f818d6534e.jpg Notes of Nostalgia https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476755766-JOZLINTIPOXYFQPZTEDQ/jpeg005_353fe568217a4ecd8f2727f818d6534e.jpg Notes of Nostalgia https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610476847399-9NG98QUPYKG2ZVF8CNQ0/Screenshot+2021-01-12+at+18.39.42.png Notes of Nostalgia 15 Selected Polaroids (Grid) https://www.anthonyprothero.co.uk/sarah daily 0.75 2026-01-12 https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610475843460-0SFRJQJ2JW0PIA6BVT5R/Anthony_Prothero_001-4511_353fe568217a4ecd8f2727f818d6534e.jpg Sarah Sue in St Marys Church https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1610475843460-0SFRJQJ2JW0PIA6BVT5R/Anthony_Prothero_001-4511_353fe568217a4ecd8f2727f818d6534e.jpg Sarah Sue in St Marys Church https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1619604473437-IHBATXW0N6SP9OH903TV/Anthony-Prothero-Sue.jpg Sarah Sue https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1619604654743-Q77PMJAL18W5Q4B4FFJ0/DSC_4425.jpg Sarah Memory I https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1619604637272-Z8C7EM2FWC5CN7UBV7KK/DSC_4423.jpg Sarah Bob https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1619604638588-KSK8G1U6V1L4IYKE2O5S/DSC_4424.jpg Sarah Memory II https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1619604480294-CH9OUSMLSESY81TZX590/Anthony-Prothero-Michael+%26+Emily.jpg Sarah Michael & Emily https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1619604658001-LKO76S1K7QBYUFH34Q6J/DSC_4430.jpg Sarah Memory III https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1619604671193-YMPE8HZV6T09UG0ZRZH6/DSC_4492.jpg Sarah Memory IV https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1619604707105-SJNIRHSOFPT77LVKO1KR/DSC_4518.jpg Sarah “Light a candle to remember” https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1619604727586-18KXI2WXUCQY7EYSI53M/DSC_4613.jpg Sarah Memoryscape II https://www.anthonyprothero.co.uk/home-1 daily 1.0 2026-03-10 https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1773155918245-Z5D1HS7V4RLQO3TCZNI6/Untitled-2.png Home. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1710580910912-4GYNWGE0JW8YT5B7JZWJ/Screenshot+2023-10-19+at+11.13.25.png Home. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1773155918245-Z5D1HS7V4RLQO3TCZNI6/Untitled-2.png Home. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1631890033807-7WHVRT49G3N77BDOOUXP/image-asset.jpeg Home. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1705432546418-XCRLODK5ZQZ9G1YOLSVE/IMG_5009.JPG Home. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1662023215628-N4EMGXG37R7VL61E60PA/DSCF0682.jpg Home. https://www.anthonyprothero.co.uk/experiments-in-living-experiments-in-making daily 0.75 2026-01-12 https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1707493858374-3GV17VGTR0YLHGO02H96/The+Poly_2F4B0153.jpg Experiments in Living: Experiments in Making Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1698943523449-RW32BINMA63V5JMI0NBW/Screenshot+2023-11-02+at+16.44.33.png Experiments in Living: Experiments in Making https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1707493858374-3GV17VGTR0YLHGO02H96/The+Poly_2F4B0153.jpg Experiments in Living: Experiments in Making Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1708705550440-CZ75ZGU59NG10DQQJRDA/Screenshot+2023-10-19+at+11.13.25.png Experiments in Living: Experiments in Making Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1707493798045-78SQZS2BE2ELCFSSUX8Z/The+Poly_2F4B0046.jpg Experiments in Living: Experiments in Making Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1707493794709-ZL13W5N7T4BOGO2E7FLG/The+Poly_2F4B0107.jpg Experiments in Living: Experiments in Making Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1627033944740-OQU0U9ZRTR3YEI2MC9TA/image-asset.jpg Experiments in Living: Experiments in Making Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1707493848245-5RLLHCDACSY1BQR6CJQI/The+Poly_2F4B0117.jpg Experiments in Living: Experiments in Making Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1707493852668-Q9V6AQ1A41GJFL3F1LKF/The+Poly_2F4B0122.jpg Experiments in Living: Experiments in Making Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1708705598356-LF7C7KEHRWVGLCFUJA3O/Screenshot+2023-10-19+at+11.45.00.png Experiments in Living: Experiments in Making Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet. https://www.anthonyprothero.co.uk/nick-waplington-its-never-too-late-for-breakfast daily 0.75 2026-01-12 https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768140736273-SCOGLP2DZX6X1ISJP6YM/IMG_8926.jpeg Nick Waplington: It's Never Too Late for Breakfast Exhibition, Lecture at The Institute of Photography and Zine workshop by Matt Martin (Photocopy Club) Curated and Installed by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768140130774-4Q6QU7OYO64IOKOIYJP3/Screenshot+2026-01-11+at+14.00.00.png Nick Waplington: It's Never Too Late for Breakfast https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768140736273-SCOGLP2DZX6X1ISJP6YM/IMG_8926.jpeg Nick Waplington: It's Never Too Late for Breakfast Exhibition, Lecture at The Institute of Photography and Zine workshop by Matt Martin (Photocopy Club) Curated and Installed by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768140703729-8YYZ5KNEXOQKE0GYWOAE/page0.jpeg Nick Waplington: It's Never Too Late for Breakfast Exhibition, Lecture at The Institute of Photography and Zine workshop by Matt Martin (Photocopy Club) Curated and Installed by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768140758769-DJ1KP12ASZLSSU25X0GL/IMG_8943.jpeg Nick Waplington: It's Never Too Late for Breakfast Exhibition, Lecture at The Institute of Photography and Zine workshop by Matt Martin (Photocopy Club) Curated and Installed by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768140766071-IH6TM782POMAJC938EFL/IMG_8946.jpeg Nick Waplington: It's Never Too Late for Breakfast Exhibition, Lecture at The Institute of Photography and Zine workshop by Matt Martin (Photocopy Club) Curated and Installed by me. https://www.anthonyprothero.co.uk/chris-ashworth-disorder daily 0.75 2026-01-12 https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141408456-LFI5WYJXG1EW87W6FMRI/IMG_0150.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141408456-LFI5WYJXG1EW87W6FMRI/IMG_0150.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141407792-3LVB7Y8MJ96L4J9T7ZVV/IMG_0149.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141403704-FYHO373JM6EA6F2BPXW9/IMG_0113.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141389957-KDGXSDSDXE8E5C7ZBFZT/DSCF0184.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141378533-4NT1C69DOX9ETSRKD6OS/DSCF0143.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141379401-4J7ZT5YIJCWPTFPMU9J4/DSCF0146.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141385157-WNAK5EZJY9RZ6PO15OFN/DSCF0195.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141389857-IA345LJZBM55O4E6MSGM/DSCF0196.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141394800-U9IF2F8SJDDTYHU7YM7D/DSCF0197.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141394988-ZBUQR0XMHYQKNY92DJDX/DSCF0203.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. https://images.squarespace-cdn.com/content/v1/592c8fda37c58112b31fb067/1768141404696-97HHWX9YSIQS986FW02I/DSCF0221.jpeg Chris Ashworth: Disorder Book launch, exhibition and public lecture by Chris Ashworth Exhibition curated by me. 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