Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i
Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i
Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i
Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i
Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i
Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i
Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i
Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and i

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

Experiments in Living marks a shift in Anthony Prothero’s practice from familial narratives to landscape, attending to quiet details as sites of pause within an anxious present. The work invites a slower way of seeing, where external terrain and internal states momentarily meet. This enquiry extends into Experiments in Making, where publishing becomes a shared act. Visitors are invited to assemble their own exhibition catalogue from the images on display, becoming collaborators in the production of meaning. Together, the projects propose landscape and making as tools for reflection, agency, and gentle resistance to contemporary disquiet.

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