IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.
IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.
IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.
IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.
IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.
IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.
IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.
IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.
IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.
IPSEITY is an ongoing investigation into the personal archive of my grandmother, originating from a study of her cabinet of memorabilia and expanding into a broader enquiry into identity and inheritance. Drawing on personal photographs alongside reworked material from her archive, dating back to c.1902, the project explores memory, postmemory, and the family album as sites where past and present converge. Through dialogue, image-making, and reassembly, I engage with fragments of her lived experience, absorbing them as secondhand memories that inform my own sense of self. The work considers how personal archives shape identity, and how memory operates as a connective tissue across generations.